![]() ![]() He pioneered methods of drum programming and sampling, all of which began as early as 1983 when he was slowly piecing together the collective. For one, Marley Marl, of the Juice Crew, was an innovator who preceded Wu-Tang as a super producer who surrounded himself with a motley crew of MCs, each with distinct approaches and personalities. Graffiti was once viewed as vandalism was now on walls and podiums at art galleries, praised as “street art.” Sugar Hill Gang's "Rapper's Delight" seemed light years ago, and there was a palpable sense of maturation and explosion of ideas in the music.Ī colorful cast of new artists pushed boundaries of the time. And while there was a sense of underlying exploitation, it catapulted hip-hop culture nationally and worldwide. Films like as Breakin’ and Beat Street used hip-hop as a dramatic vehicle. ’s bloated collab with Aerosmith, brought posters into teenagers’ bedrooms and cross promotional ideas to the forefront. For better or worse, hip-hop began to lodge itself into the mainstream during this decade. Seldom was it deemed legitimate in the ‘70s but the ‘80s came with it a realization: that big business and big money could be squeezed from the culture. Hip-hop’s four elements (rap, DJjing, breakdancing and graffiti) grew independently and exponentially in form and acknowledgment in the ‘80s. Debuts from the likes of MC Lyte, De La Soul, Slick Rick and others kickstarted not only legendary careers, but a wave of innovations that undeniably led to rap’s commercial takeover in the ‘90s. Diss tracks, party anthems, socially minded material and gangsta rap all had a place in this era, defined by groups and solo efforts that strove to differentiate themselves from one another. The handful of rap songs released in the 1970s opened doors for the onslaught of creative variation that marked rap albums of the 1980s.
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